Waves has posted an article on some coming mistakes to avoid when using effects.
Waves has posted an article with some helpful tips about mixing drums. This was written to be used in studio work, but a lot of these tips are also helpful in a live setting. Take a look at steps 1 through 7 for some ideas on how to get a good drum mix.
Waves has posted a helpful article about mixing vocals. While this is focused on vocal work in the studio, a lot of these tips are helpful and can be applied in a live setting as well. Take a look at steps 3 through 8 for some good ideas on a vocal channel processing chain.
Waves has posted a great article about Multiband Compression. Between Waves C4 and C6 products at our Holt and Westside venues, and the Pro Multiband Compressor at REO Town, we have some great tools in place to help achieve controlled dynamics and well shaped tone in one stop. Take a look this article and the videos included within it to find out how.
Waves posted a nice article on their blog about using compression in your mix and some of the common things to look out for. There are also a few videos embedded in the article explaining some of the pieces further. Check it out sometime when you get a chance.
Lynn Fuston wrote a great post on Sweetwater’s site about the importance of mic placement for guitar amps. It includes some recorded examples so you can hear how a 1″ change in placement can have a big effect on tone. This is another great example of how it’s easier to get desired results by changing something on stage before you reach for those EQ knobs. Check it out!
Ken “Pooch” Van Druten shares some great tips on the Waves blog about getting the right reverb sound no matter what space you’re working with. If you’re looking to dial in reverb to liven up your mix, check out this article.
Lynn Fuston posted a great article on Sweetwater’s site about mic’ing snare drums. If you’re looking for a different sound out of your snare, try a different mic position instead of relying on EQ to get a specific tone.
As a quick side note, remember that mic placement matters! This is especially true for drums and guitar amps as a small move of the mic can make a big difference in your sound.
Aaron Staniulis posted this very helpful article over at the Sonicbids blog. If you’re reaching for an EQ knob but not entirely sure where to start at, take a look at this for a good jump off point.
Here is a simple guide to help with placement of headset microphones. Microphone placement for speaking is very important as a small change in placement can make a big difference in the tone of someone’s voice. Spending a few seconds to check and double check proper placement will help achieve the most natural sound, which in turn eases the ability for people to focus in on what is being taught.
The boom should be adjusted to rest as close to the face as possible with the microphone capsule about an inch behind the corner of the mouth. Rotate or bend the microphone boom (depending on model) to achieve optimal positioning. Leave a little room for facial hair as necessary.
Here is an example of what proper microphone placement should look like. A few seconds to make these adjustments will help achieve the best sound quality and make the headsets comfortable to wear.
Below is a guide of adjustments for the different style of headset microphones at Riv.
The Shure Beta53 headset’s adjustments are as follows.
The DPA 4088 headset adjustments include adjusting the headband width, adjusting the boom length, and bending the boom position. Be sure to always bend the boom over a gentle surface, like a finger. The boom can be bent for both horizontal and vertical optimal positioning.
The DPA FIOF10 headset adjustments include the headband width, the boom length, and boom roll. The ear loops should be placed with the flat section fully under AND behind the earlobe.
The boom can be adjusted in length by sliding forward or backwards inside the flat section.
To reverse which side the boom is on, simply rotate both ear loops.
Then roll the boom to the correct position.