In The Beginning

Trying something new out, we made a video for our set build for Fall 2013:

No Other Gods

No Other Gods, a series at Riverview June, 2011.

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The detail on the left for this set is a structure with 1×4 lumber verticals and ripped 3/4in plywood horizontals ripped into 2in strips. Coarse thread screws into the back of the structure hold the plywood on and finishing nails attach the three assembled sections to the wall.

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The horizontals were carefully placed to be level and to, at the same time, attain a level of randomness in horizontal placement. Before anything was assembled, the front sections of the plywood was painted reddish-brown and all other surfaces were painted gray.

Red Letter Ending

Red Letter Ending, a series at Riverview April, 2011.

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This is the set for our Easter series in 2011. The structure against the wall is an assembled product from MIO called the Nomad System.

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The Two smaller crosses on the floor are built with a combination of steel framing track and wood 2×4. The larger cross at an angle from floor to ceiling has a box truss vertical structure and a wood/steel horizontal structure. All three crosses are covered with white fabric which is stapled on the back side.

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The Joy Paradox

The Joy Paradox, a series at Riverview March, 2011.

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Our Creative Director, Kristie, designed a custom image for the background projection, we did not do a physical build. I must note, as I have previously, that she creates the projection which integrates with the sets for each series that we do.

The Main Thing

The Main Thing, a series at Riverview February, 2011.

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Playing on the series title “The Main Thing” we decided to build a theater marquee. The prop is a 15ft x 10ft construction using steel stud framing with a recessed channel of 1/2in MDF and the primary screen area is hardboard. The top detail is 1/2in MDF with white duct tape for the lines.

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The lights in the outside recessed channel are screwed into basic lamp sockets which are pushed through drilled holes in the MDF. The lights are wired as four circuits and run to a DMX Dimmer so we could do a chase and generally control intensity. Power and control cables are run alongside the support cable to reach the outlets in the truss.

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He Gave; We Give

He Gave; We Give, a series at Riverview December, 2010.

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We have been using the same two large Christmas trees for several years and usually their location and decoration are symmetrical. For this set, one tree is covered in lights, ornaments, garland and surrounded by an extraordinary quantity of gifts while the other tree is sparsely decorated and has a few meager packages under its branches.

7

7, a series at Riverview November, 2010 and January, 2011.

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We spent quite a while figuring out what to do for the lit device on top of the truss in this set. The final build was seven black boxes, with only four sides, made using 3/4 inch particle board (since that happened to be some scrap material we had laying around) and 60 watt lamps in workshop light fixtures.

We arranged seven columns of 10 foot truss with symmetrical depth, lateral position, and height on the stage and wired the top boxes to dimmers.

Not That Bad

Not That Bad, a series at Riverview October, 2010.

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After some careful measuring and cutting we nailed several sheets of painted-black 1.5 inch foam to the back wall.

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The black contrasted against the white wall giving us visual anchors for the various projected images and animations.

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Follow

Follow, a series at Riverview September, 2010.

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The Follow set build was fairly simple, four towers of truss of increasing height were assembled on stage left. The towers are 8ft, 10ft, 18ft, and 20ft.

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The lights were adjusted to focus toward the truss to produce shadows from a variety of angles.

Nuclear Family

Nuclear Family, a series at Riverview July, 2010.

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We recently acquired some additional truss for use in our set builds. For the Nuclear Family set build we assembled four twenty foot tall columns of truss on 3 foot steel base plates.

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The truss is lit on the inside with four ColorSplash JR LED fixtures and wrapped with a spandex-like fabric. On the left and right, between the columns we set a Coemar iWash HALO. Various lighting cues were set around projection color schemes which changed during the service.

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